This Anagama-fired vase presents a beautifully balanced silhouette - narrow at the neck, full at the body - serving as an ideal canvas for the nuanced atmospheric effects that emerged during its wood firing. The surface is layered with soft gradients of olive, charcoal, and reddish-brown, each tone mapping the shifting paths of flame and ash through the kiln.
A distinct, tree-like vertical marking rises along the neck and upper body, formed where heat and airborne minerals settled most intensely. This natural imprint gives the vase a quietly organic presence, reminiscent of landscapes shaped by time and weather. The body reveals subtle rings from the throwing process, enhancing its tactile authenticity.
The matte, stone-like texture - interrupted by areas of gentle sheen - results from natural ash deposition at high temperature, a hallmark of true Anagama firing and one of the reasons collectors prize such work. These variations cannot be replicated through glaze application; they are the direct result of a singular firing event.
This sensitivity to material and atmospheric expression aligns with the aesthetic appreciation seen in the works of ceramic artists such as Beatričė Kelerienė, where simplicity of form allows the kiln’s natural alchemy to shine.
Collectors will value this vase for:
its nuanced, naturally glazed Anagama surface, rich in gradients and mineral textures;
its elegant, classical form, ideal for both contemporary and traditional settings;
its unique fire-born markings, especially the vertical “tree” motif;
its authenticity as a one-of-a-kind atmospheric piece.
A serene yet powerful work - timeless in form, deeply expressive in surface, and a strong addition to any curated collection of wood-fired ceramics.